๋ณธ๋ฌธ ๋ฐ”๋กœ๊ฐ€๊ธฐ

์•„๋™์ •์„œ๋ฐœ๋‹ฌ1

์• ์ฐฉ ์ธํ˜• ์œก์•„ํŒ - ์•„์ด๊ฐ€ ์ธํ˜•์— ์ง‘์ฐฉํ•  ๋•Œ, ์–ด๋–ป๊ฒŒ ํ•ด์•ผ ํ• ๊นŒ? ์˜ค๋Š˜์€ '์• ์ฐฉ ์ธํ˜•'์— ๊ด€ํ•œ ์ด์•ผ๊ธฐ๋ฅผ ํ•ด๋ณผ๊ฒŒ์š”.ํƒœ์œค์ด๋Š” ํ—ˆ๋ฒ…์ง€๊นŒ์ง€ ๋‹ฟ๋Š” ํฐ ๊ณฐ์ธํ˜•์„ ๋Š˜ ๋“ค๊ณ  ๋‹ค๋…€์š”.๋ฐฅ ๋จน์„ ๋•Œ๋„, ๋†€ ๋•Œ๋„, ์ž˜ ๋•Œ๋„ ๋Š˜ ํ•จ๊ป˜์˜ˆ์š”.๊ทธ ์ธํ˜•์ด ์†์— ์—†์œผ๋ฉด ๋ถˆ์•ˆํ•ด์„œ ์šธ๋จน์ด์ฃ . ์•„์ด๋ฅผ ๋ณด๋ฉด์„œ ์ด๋Ÿฐ ์ƒ๊ฐ์ด ๋“ค์—ˆ์–ด์š”. ‘ํƒœ์œค์ด์—๊ฒŒ ์ด ๊ณฐ์ธํ˜•์€ ์–ด๋–ค ์˜๋ฏธ์ผ๊นŒ?’์• ์ฐฉ์ธํ˜•, ์™œ ์ค‘์š”ํ•œ๊ฐ€์š”?‘์• ์ฐฉ์ธํ˜•(Transitional Object)’์ด๋ผ๋Š” ๊ฐœ๋…์„ ์ฒ˜์Œ ์†Œ๊ฐœํ•œ ๊ฑด ์˜๊ตญ ์†Œ์•„์ •์‹ ๊ณผ ์˜์‚ฌ ๋„๋‚ ๋“œ ์œ„๋‹ˆ์ฝง(Donald Winnicott)์ด์—์š”. ๊ทธ๋Š” 1951๋…„, ์˜๊ตญ ์ •์‹ ๋ถ„์„ํ•™ํšŒ์—์„œ ์ด ๊ฐœ๋…์„ ๋ฐœํ‘œํ–ˆ๊ณ , 1953๋…„์— ๋…ผ๋ฌธ์„ ํ†ตํ•ด ์ด ์ด๋ก ์„ ๊ณต์‹์ ์œผ๋กœ ์„ค๋ช…ํ–ˆ์–ด์š”. ์ดํ›„ ใ€ŠPlaying and Realityใ€‹๋ผ๋Š” ์ฑ…์—์„œ ‘์ „์ด ๋Œ€์ƒ(Transitional Object)’์ด ์•„์ด์˜ ์‹ฌ๋ฆฌ์  ์„ฑ์žฅ์— ์–ด๋–ค ์—ญํ• ์„ .. 2025. 4. 9.